
Shibori fabric dyeing
B. Scour the cloth entirely by simmering for around ten minutes in liquid with a few falls of Synthrapol™ or liquid Joy™ dish detergent.
c. Shortly rinse the fabric and squeeze out all excess moisture and straight away go to 2.
2. Mordanting
If you work with just indigo as a dye, you'll today dry the fabric and skip to move #3 but other dyes will need to have a mordant put on the cloth so that you can bind the dye into fiber.
a. Mix up a 5% option of aluminum acetate (see particular amounts below). You will require adequate answer upon which to immerse the wet cloth so the mordant is evenly consumed by the whole textile. It will probably seem like a strong fit in a container but that is okay. Submerge the fabric when you look at the mordant and enable it to sit for about 10 minutes. Squeeze out any excess mordant into the mordant container and dried out on the web or perhaps in a clothes dryer. The following amount offers sufficient mordant way to immerse any project. There will be loads of mordant left! Give consideration to mordanting other scoured cotton fiber or silk textiles before the mordant is very consumed whilst never to waste everything. It could be stored for a few times if covered and refrigerated.

-For a scarf: blend 50 grams aluminum acetate in 1000 ml cold-water.
-For a shawl: blend 75 grms aluminum acetate in 1500 ml. chilled water.
-For a collection of 6 samples: combine 10 grms aluminum acetate in 200 ml cold water. Immerse one sample at any given time.
3. Gathering the shibori threads
When the fabric is totally dried out, the structure threads might be gathered. Very carefully pleat the fabric by sliding categories of threads all the way down one side. You're going to be pulling resistant to the overhand knots that you tied on the other side. Then return and carefully, but solidly pull on every individual structure thread . This will guarantee obvious resists. You can pull threads from both instructions, be sure that you make a fresh collection of overhand knots using one end. On The Other Side end tie groups of 4 threads into square knots Trim the tails associated with the gathering threads no smaller than 2”.

4. Fixing* and wetting-out
This is set the mordant on fabric and wet from fabric before dyeing. Make a fixing solution of 20 grams of chalk (calcium carbonate) and 2000 ml warm water. (double this for a shawl piece) Immerse the cloth in fixing answer and enable to immerse for one hour. The cloth should be wet all the way in the pleats in order to get a great resist for the shibori. Rinse briefly and proceed to move #5, dyeing.
*fixing is certainly not essential if you're only dyeing with indigo. Only damp out in hot-water with no chalk.
5. Dyeing with madder extract
When you have a gram scale you may possibly figure out your dye quantity by weight. In line with the fat of dry dietary fiber, weigh-out madder plant at 10% the extra weight of dietary fiber. This may provide a saturated shade to produce the resists. If you don’t have a grams scale, use the chart below to ascertain dye extract amounts. Break down the extract entirely in about 1 cup cold water. Pour dissolved dye through a tiny strainer into a non-reactive dyepot (stainless or enamel) with sufficient cool water to float your collected textile freely. Include wetted completely and gathered textile. Heat the shower EXTREMELY gradually to about 175°F. this would just take a minumum of one time. The slow rise of temperature assures best reds from madder. Stir sometimes during the dyeing. Permit the fabric to cool into the shower. You can even leave it instantaneously.
fibre fat |
dye weight |
equivalent tsp |
scarf – 120 grams |
12 grms |
2 TBS |
shawl – 280 grms |
28 grms |
4 TBS |
one sample – 25 grms |
2.5 grams |
2 tsp |
Eliminate material and wash well. The gathering threads is now able to be removed but they will come down many quickly if fabric is permitted to dry first. Clean the opened fabric completely in hot soapy water to complete.
6. Recommended 2nd Dyebath
Although i enjoy the look of the deep red/orange in the white ground, i needed to “tone straight down” the comparison some. After all of the gathering threads were eliminated I re-wet the cloth and colored it an extra time – really quickly in a tannin based dye. We utilized a 4percent solution of Quebracho Ebony (about 1 tsp of extract) you could easily get similar results with black colored walnut, or even black colored tea. There's no necessity to re-mordant the cloth. The fabric is sipped in to the dyebath and moved around to insure an even dye. To complete, the fabric is cleaned once again and dried. Then edges tend to be hemmed.
This post is written by shibori singer and author, Catharine Ellis. Catharine produced woven shibori, an ongoing process of weaving and resist. She shows workshops with this methods, or you can study from the woman book, Woven Shibori (Interweave, 2005).

